Crime Films Essay -- essays research papers fc

Crime FilmsWhen looking at the crime take away it is important to understand the nature ofthe films music genre. The genre is a way for the audience to distinguish types offilms. These atomic number 18 categorised together because of standard protocols developedfor a particular types or styles of film. These films usually follow alikeguidelines in order to produce a certain style for the audience. Thedevelopment of genre films is not entirely the prerogative of Hollywood. It ismore the desire of the public plentying audience to have an idea of the type offilm they are about to see. The western, musical or the gangster film areexamples of genre films. These categories of films all have similarities in theways in which they are make musicals end happily the westerns will all havethe final shoot out and the gangsters will all be overcome by justice or meettheir own demise. The reason for the consistency in the films is the publicsdesire to make an informed choice not and not to go in blind.     By victimization the genre qualification, the industry is able to targetsocietal groups and try to produce and market what they want to see. The publicattends a film because they think they might admire some aspect of it. The filmgenre follows a set of abstract rules that allows the public to informallycategorize films. These rules must be viewed from an flexible point of view inorder to legitimize their future existence. By using this method ofcategorizing films the public is able to decide which films they wish to see andthose they do not. Some race love musicals and if they were to go to one andfind there was no music or dance they might not be too pleased. The concept ofgenre is one that may provide benefit to the viewers but at the same time mayalso present problems for the directors who must compromise their chasteaspirations. Examples of this can be seen in the production of sequels, andthe use of repetitive set qualities. These may incl ude the mise en scene of thepicture or the inclusion of similar sound. Because of these unwritten rules thedirectors must include some of the familiar aspects of the genre. The greatestproblem may be that the film must fall into a genre category. shaping itwithin the genre may be compromising to the nature of the film.     Scarface (1932 U.S.A. - Howard Hawks ) is a f... ...s that are felt for the characters can for the most part begeneralised by saying that the "principle" of the film is most often thecharacter that receive the greatest attention. This is fundamental in theunderstanding of a film and in the bringing of a story. The apparentidentification with characters of certain types of films is totally dependentupon the desires and expectations of the viewer. It is the ability of theaudience to identify with the central characters of a film that keeps themwatching. The use of the imagination or a simple wish to be exposed to otherpossibilities are the fundamental reasons for entertainment. The criticismsbeing aroused by those who are opposed to the way in which crime is occasionaldepicted, believe that real life and the stories told by films are becomingincreasingly similar. The criticism can be justified in some respects but byjustifying these criticisms there is an implied ignorance for the individualintelligence of the general population .BibliographyDavid Bordwell, Kristin Thomson, Film Art an introduction McGraw--Hill,Inc.University of Wisconsin,1993.Graeme Turner, Film as Social shape Routledge, 1993.